Stefan Zweig on the Screen: Maria Schrader’s Vor der Morgenröte

Maria Schrader’s episodic film Vor der Morgenröte, which is released today on 2 June 2016, depicts the last years in the life of Stefan Zweig. It is the most recent manifestation of a re-discovered interest in Zweig. It is different from other projects that have tried to solve the enigma of this best-loved and best-hated … Continue reading Stefan Zweig on the Screen: Maria Schrader’s Vor der Morgenröte

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Manhood VS. Marriage: A Quick Film Tip

Yesterday The New York Review of Books published “Manhood Against Marriage” by Francine Prose, a review of Ruben Östlund’s new film Force Majeure, that I would like to share here as both, the film and the review, refer to an issue that I am intensely working on in my research at the moment: representations of … Continue reading Manhood VS. Marriage: A Quick Film Tip

The Grand Budapest Hotel, Stefan Zweig and the Neglected Field of Adaptation Studies

As The Guardian announced two days ago, Wes Anderson’s The Grand Budapest Hotel has just become the filmmaker’s highest-grossing film (beating The Royal Tenenbaums at $71m in 2001 and Moonrise Kingdom at $68m in 2012) by breaking the $100m mark while global box office taking rising (interestingly with the most enthusiastic audiences in the UK … Continue reading The Grand Budapest Hotel, Stefan Zweig and the Neglected Field of Adaptation Studies